The Barber of SevilleClose Shave
Even Bugs Bunny knew the tunes from this opera! Rossinis zesty comedy moves at warp speed, as bumbling old Dr. Bartolo tries to keep everybodys hands off his beautiful ward Rosina except his own. Two things he didnt count on though the handsome Count Almaviva and Figaro, the ever clever Barber of Seville.

Barber of Seville
Sung in Italian. Opens February 16, 2005, with performances also on February 19, 25, 27 (matinee), March 2 and 5. Click on cast names below for artist biographies, and to discover which performances feature Wendy Maxwell or Sinéad Sugrue. NOTE: Evening performances begin at 7:30 p.m.; matinees at 2 p.m. All performances take place at Bickford Centre Theatre, 777 Bloor St W at Christie.
Rosina ...............................................
Count Almaviva ................................
Figaro ................................................
Dr. Bartolo .........................................
Don Basilio ........................................
Berta ..................................................
Fiorello ...............................................
An Officer ...........................................

Pianists ...............................................
Stage Manager....................................
Crew.....................................................

Wendy Maxwell / Sinéad Sugrue
William Parker
Yevgeny Yablonovsky
Gerald Hannon
John Allec
Karen Bojti
George Seppenwoolde
Chris Lea

Adolfo De Santis / Lusine Saridekyan
Karin Fairbairn
Robert Balogh, Ricardo Bozzo, David LaGrotta, Thomas Munro


Chorus: Solmas Baibordi, Jacqueline Bartok, Igor Bily, Catherine Cashore, Romulo Delgado, Nicole Dunsmore, Jaime Estrada, John George, Tita Griffin, Ron Hansen, Youngran Jo, Cesar Juarez-Vargas, Shek Ko, Chris Lea, Soon Jo (Ilaria) Lee, Wendy Maxwell, Elizabeth McLeod, Eileen Mercier, Christina Natalino, Melchiorre Nicosia, William Parker, Riccardo Quercia, Christian Hernan Saez, George Seppenwoolde, Lynne Shuttleworth, Franco Sit, Jane Somerville, Michael Sugrue, Sinead Sugrue, Yoko Tamura, Sarah Templeton, Liza Thomas, Barbara Thomson, Yanling (Dorothy) Zhao.
Gioachino Rossini (1792-1868) began his opera career early at the age of 18, he had a one-act comedy staged in Venice. He was only 24 when he wrote The Barber of Seville. With its elegant melodies, its exhilarating rhythms and its superb ensemble writing, it has claims to be considered the greatest of all Italian comic operas, eternally fresh in its wit and its inventiveness.
The Story
Act I: Street Outside Doctor Bartolos House at Dawn
Count Almaviva, scion of a noble family, has fallen in love from a distance with the beautiful commoner, Rosina, while she was visiting in Madrid. Disguised as a poor student he has pursued her to Seville.
The opera opens as a group of musicians under the guidance of the Counts servant, Fiorello, gather below the balcony of the house where Rosina lives under the constant watch of her guardian, Don Bartolo. They have been hired to accompany a serenade, which the Count sings to her. When his song fails to rouse her he generously pays them off. The musicians shower Almaviva with profuse thanks and only with difficulty are they finally persuaded to leave. Hearing someone coming, the Count retires.
Figaro arrives singing his own praises. The Count is delighted because he is sure that Figaro, his quickwitted former servant, will be able to help him in his suit. The Count explains that he has fallen in love with Rosina but is wooing her in disguise as Lindoro, so he can be sure she loves him for himself and not for his rank. He asks Figaro to help him get a chance to talk with Rosina. Figaro responds that it will be easy since he is Bartolos barber and has free access to the house.
Rosina appears on the balcony and drops a note to her unknown admirer. Bartolo drags her back inside and declares his intention to marry Rosina himself the next day. The Count sings another serenade as Figaro devises a plan: Almaviva will disguise himself as a drunken soldier and appear with a faked document ordering that he be quartered in Bartolos house. Delighted, the plotters rush off set the plan in motion.

Act II: Doctor Bartolos Study
Alone in Doctor Bartolos study, Rosina is putting the finishing touches on a letter to her Lindoro. Figaro arrives and hides when Bartolo enters. Bartolo is joined by his accomplice, Don Basilio, an unprincipled intriguer, who doubles as Rosinas singing teacher. Basilio reports that Count Almaviva, whom they suspect is interested in Rosina, has arrived in Seville, and proposes to discredit him as a suitor by spreading malicious gossip. Bartolo prefers immediate action, and goes off with Basilio to draw up a marriage contract.
Figaro and Rosina are left alone at last. Rosina wants to know more about the stranger who has serenaded her. Figaro says he is only a poor student, but head over heels in love with her. Rosina is overjoyed to learn that her admirer will come that day to visit, and gives Figaro her letter to deliver.
Bartolo returns. His suspicions are aroused by the evidence that Rosina has been writing a letter. He vows to have her watched day and night to guarantee her innocence.
Count Almaviva arrives in his drunken soldier disguise. A furious quarrel with Bartolo develops during which Rosina and the Count manage to exchange a few furtive signals. Figaros attempts to calm things down are ineffective, and the tumult is finally interrupted by the arrival of the police. The officer in charge is about to arrest the Count, but backs off when the Count takes him aside and secretly reveals his identity. Everyone freezes in amazement at the apparently inexplicable change in behavior by the police, and then explodes into confusion.

Act III: The Music Room
In another attempt to communicate with Rosina, Count Almaviva has adopted a new disguise. Claiming to be a substitute teacher sent by Basilio, the Count persuades Bartolo to let him give Rosina her singing lesson, but only after he allays Bartolos suspicions by giving him Rosinas note as proof that he is really on Bartolos side. Figaro helps out by insisting on shaving Bartolo, so the lovers can have a few more unobserved minutes together, and manages to steal the key to Rosinas room in the process. The ruse is almost given away when Basilio arrives, but a timely bribe from the Count persuades him to play along. Eventually Bartolo manages to overhear enough to get a sense of what is going on, and in a rage he chases the conspirators out.
Determined now to marry Rosina at once, Bartolo sends Basilio to get the notary. He calls in Rosina and, using her note, convinces her that Lindoro and the barber are planning to sell her to the Count Almaviva. Hurt and betrayed, Rosina agrees to marry Bartolo immediately. He goes for the police, intending to have the conspirators arrested when they come for Rosina.
As a furious storm rages, Figaro and the Count climb into the house through Rosinas balcony. Rosina confronts them with their perfidy. However, once the Count reveals that he and Lindoro are the same person, Rosina joyously agrees to marry him. Basilio arrives with the notary; his objections to the marriage are quickly silenced with another bribe. When Bartolo returns with the police it is too late. Rosina and Count Almaviva have signed the marriage contract.