Performances: Wednesday, February 14; Saturday, February 17; Friday, February 23; Sunday, February 25; Wednesday, February 28; Saturday, March 3. Evening performances begin at 7:30 pm; Sunday matinees at 2 pm.
Duke of Mantua ................... Borsa ................................... Rigoletto .............................. Count Ceprano .................... Marullo .................................. Countess Ceprano .............. Count Monterone ................. Sparafucile ........................... Gilda ..................................... Giovanna .............................. A Page ................................. An Usher............................... Maddalena ............................ Stage Director/Conducter..... |
Jeremy Corneil (Feb 17, 23, 28) / Kennon Saari (Feb 14, 25, Mar 3) Artour Razgoev (Feb 17, 25, 28) / Gerrit Seppenwoolde (Feb 14, 23, Mar 3) Tito Dean (Feb 14, 23, Mar 3) / Yevgeny Yablonovsky (Feb 17, 25, 28) Gerald Hannon (all performances) Stephen Targett (all performances) Sara DiGirolamo (all performances) Alon Eshet (Feb 17, 23, 28) / David Lasker (Feb 14, 25, Mar 3) John Allec (Feb 17, 23, 28) / Alon Eshet (Feb 14, 25, Mar 3) Katharine Scavone (Feb 14, 17, 25) / Catherine Rooney (Feb 23, 28, Mar 3) Lynne Shuttleworth (Feb 17, 23, 28) / Erika Ross (Feb 14, 25, Mar 3) Yvette Sherman (all performances) John Allec (all performances) Elizabeth McLeod (all performances) Giuseppe Macina |
ACT II:On his way home that night, Rigoletto broods on Monterones curse. Rejecting the services offered by Sparafucile, a professional assassin, he muses that his vicious tongue can be as deadly as a dagger. Greeted by his daughter, Gilda, whom he keeps hidden from the world, he reminisces about his late wife, then warns the governess, Giovanna, to admit no one. But as Rigoletto leaves, the Duke slips into the garden, tossing a purse to Giovanna to keep her quiet. The nobleman declares his love to Gilda, who has noticed him in church. He tells her he is a poor student named Gualtier Maldè, but at the sound of footsteps he rushes away. Tenderly repeating his name, Gilda retires to bed. Meanwhile, the courtiers stop Rigoletto outside his house and ask him to help abduct Cepranos wife, who lives across the way. The jester is duped into wearing a blindfold and holding a ladder against his own garden wall. The courtiers break into his home and carry off Gilda. Rigoletto, hearing her cry for help, tears off his blindfold and rushes into the house, discovering only her scarf. With horror, he remembers Monterones curse.
ACT III: In his palace, the Duke is distraught over the disappearance of Gilda. When his courtiers return, saying it is they who have taken her and that she is now in his bedchamber, he joyfully rushes off to the conquest. Soon Rigoletto enters, warily looking for Gilda; the courtiers bar his way, though they are astonished to learn the girl is not his mistress but his daughter. The jester reviles them, then embraces the disheveled Gilda as she runs in to tell of her courtship and abduction. As Monterone is led to the dungeon, Rigoletto vows to avenge them both.
ACT IV: At night, outside Sparafuciles run-down inn on the outskirts of town, Rigoletto and Gilda watch as the Duke flirts with the assassins sister and accomplice, Maddalena. Rigoletto sends his daughter off to disguise herself as a boy for her escape to Verona, then pays Sparafucile to murder the Duke. As a storm rages, Gilda returns to hear Maddalena persuade her brother to kill not the Duke but the next visitor to the inn instead. Resolving to sacrifice herself for the Duke, despite his betrayal, Gilda enters the inn and is stabbed. Rigoletto comes back to claim the body and gloats over the sack Sparafucile gives him, only to hear his supposed victim singing in the distance. Frantically cutting open the sack, he finds Gilda, who dies asking forgiveness. Monterones curse is fulfilled.