A Cripple, in Everything but Love
The handsome, womanizing Duke of Mantua has the perfect foil in Rigoletto, his jester. The man is an ugly hunchback, feared by men and women alike for his vicious tongue. The courtiers hate him, but he amuses the Duke. No one not even the Duke knows that Rigoletto is a tender, watchful father who has hidden his young daughter from the corrupt world that is 16th century Mantua. When Rigolettos torments provoke an old mans curse, Verdis heartbreaking opera begins to move inexorably to its tragic conclusion.

Performances: Wednesday, February 14; Saturday, February 17; Friday, February 23; Sunday, February 25; Wednesday, February 28; Saturday, March 3. Evening performances begin at 7:30 pm; Sunday matinees at 2 pm.



Rigoletto
Sung in Italian, with English TORtitles. Click on cast names below for artist biographies. All performances take place at Bickford Centre Theatre, 777 Bloor St W at Christie.
Cast, in order of appearance
Duke of Mantua ...................
Borsa ...................................
Rigoletto ..............................
Count Ceprano ....................
Marullo ..................................
Countess Ceprano ..............
Count Monterone .................
Sparafucile ...........................
Gilda .....................................
Giovanna ..............................
A Page .................................
An Usher...............................
Maddalena ............................

Stage Director/Conducter.....
Pianists ..................................
Rehearsal Pianists.................
Make-up .................................
Stage Manager ......................
Assistant Stage Manager ......
TORTitles Translations..........
TORTitles Operator...............
Crew .......................................

Jeremy Corneil (Feb 17, 23, 28) / Kennon Saari (Feb 14, 25, Mar 3)
Artour Razgoev (Feb 17, 25, 28) / Gerrit Seppenwoolde (Feb 14, 23, Mar 3)
Tito Dean (Feb 14, 23, Mar 3) / Yevgeny Yablonovsky (Feb 17, 25, 28)
Gerald Hannon (all performances)
Stephen Targett (all performances)
Sara DiGirolamo (all performances)
Alon Eshet (Feb 17, 23, 28) / David Lasker (Feb 14, 25, Mar 3)
John Allec (Feb 17, 23, 28) / Alon Eshet (Feb 14, 25, Mar 3)
Katharine Scavone (Feb 14, 17, 25) / Catherine Rooney (Feb 23, 28, Mar 3)
Lynne Shuttleworth (Feb 17, 23, 28) / Erika Ross (Feb 14, 25, Mar 3)
Yvette Sherman (all performances)
John Allec (all performances)
Elizabeth McLeod (all performances)

Giuseppe Macina
Adolfo De Santis
Ismayil Hajiev, Henry Renglich
Gerrit Seppenwoolde, Amy Dixon
Vic Blackman
Enza Bambina
Gerald Hannon
Penelope Cookson
Robert Balogh, Gabriele Graziano


Chorus:  John Allec, Don Ballanger,  Carmen Bourcier, Isabelle Brunet, Peter Buck, Vicki Buck, Irene Chaplin, Nicole Coke, Jeremy Corneil, Romulo Delgado, Sara DiGirolamo, Karla Escalante, Alon Eshet, Carrie Gray, John George, Tita Griffin, Erin Griffith, Gerald Hannon, Elizabeth Headon, Rachael Jewell, David Lasker, Chris Lea, Hassina Madwa, James Matthews, Elizabeth McLeod, David Bruce McDowell, Maxine Medcoff, Alexis Morrison, Robert Owen, William Parker, Raymond Preston, Peter Price, Artour Razgoev, David Roche, Natalie Rogerson, Catherine Rooney, Erika Ross, Kennon Saari, Katharine Scavone, Gerrit Seppenwoolde, Yvette Sherman, Lynne Shuttleworth, Teresa Silcox, Brittany Stewart, Sonia Stillo, Sandra Tang, Stephen Targett, Barbara Thomson, Tatjana Varga, Kathy Wert, Yevgeny Yablonovsky, Monika Zagorska-Zimolag.

Technical Help with Props: Alex MacGregor

Giuseppe Verdi (1813-1901) is the supreme master of 19th century Italian opera, and works like La Traviata, Rigoletto, Aida, Il Trovatore and Otello are mainstays of every opera company in the world.
The Story
ACT I: At his palace, the Duke lightheartedly boasts to his courtiers of amorous conquests, escorting Countess Ceprano, his latest prize, to a private chamber as his hunchback jester, Rigoletto, makes fun of her husband. Marullo announces that Rigoletto is suspected of keeping a mistress, and Ceprano plots with the courtiers to punish the hated buffoon. Attention is diverted when Monterone, an elderly nobleman, enters to denounce the Duke for seducing his daughter. Ridiculed by Rigoletto and placed under arrest, Monterone pronounces a curse on both the Duke and his jester.

ACT II:On his way home that night, Rigoletto broods on Monterones curse. Rejecting the services offered by Sparafucile, a professional assassin, he muses that his vicious tongue can be as deadly as a dagger. Greeted by his daughter, Gilda, whom he keeps hidden from the world, he reminisces about his late wife, then warns the governess, Giovanna, to admit no one. But as Rigoletto leaves, the Duke slips into the garden, tossing a purse to Giovanna to keep her quiet. The nobleman declares his love to Gilda, who has noticed him in church. He tells her he is a poor student named Gualtier Maldè, but at the sound of footsteps he rushes away. Tenderly repeating his name, Gilda retires to bed. Meanwhile, the courtiers stop Rigoletto outside his house and ask him to help abduct Cepranos wife, who lives across the way. The jester is duped into wearing a blindfold and holding a ladder against his own garden wall. The courtiers break into his home and carry off Gilda. Rigoletto, hearing her cry for help, tears off his blindfold and rushes into the house, discovering only her scarf. With horror, he remembers Monterones curse.

ACT III: In his palace, the Duke is distraught over the disappearance of Gilda. When his courtiers return, saying it is they who have taken her and that she is now in his bedchamber, he joyfully rushes off to the conquest. Soon Rigoletto enters, warily looking for Gilda; the courtiers bar his way, though they are astonished to learn the girl is not his mistress but his daughter. The jester reviles them, then embraces the disheveled Gilda as she runs in to tell of her courtship and abduction. As Monterone is led to the dungeon, Rigoletto vows to avenge them both.

ACT IV: At night, outside Sparafuciles run-down inn on the outskirts of town, Rigoletto and Gilda watch as the Duke flirts with the assassins sister and accomplice, Maddalena. Rigoletto sends his daughter off to disguise herself as a boy for her escape to Verona, then pays Sparafucile to murder the Duke. As a storm rages, Gilda returns to hear Maddalena persuade her brother to kill not the Duke but the next visitor to the inn instead. Resolving to sacrifice herself for the Duke, despite his betrayal, Gilda enters the inn and is stabbed. Rigoletto comes back to claim the body and gloats over the sack Sparafucile gives him, only to hear his supposed victim singing in the distance. Frantically cutting open the sack, he finds Gilda, who dies asking forgiveness. Monterones curse is fulfilled.